Cowboys

Cowboys were around for 15 years only

The cowboy is a key figure in the cultural imagination for about 150 years, embodying a romanticised ideal of masculinity, bravery and liberty. Historically, however, the figure of the cowboy only really existed for a short period of time between 1865 and 1880.

During the Civil War, numerous ranchers had let their cattle run loose unable to look after them. These animals reproduced forming wild herds that roamed the country. Cowboys – often former slaves with no property to call their own, Mexicans and Native Americans – took a chance here to earn a living. They recaptured the wild cattle and and started to trade them. By the 1880s, ranchers began fencing their pastures, and the invention of barbed wire in 1873 helped accelerate this process. The traditional cowboy became increasingly superfluous.

The mythological supercharging of the cowboy would not begin until 1883 thanks to Buffalo Bill and his western shows, which became extremely popular in both America and Europe. These productions were a key factor in making the cowboy one of the most iconic figures in American culture over the next thirty years. Ever since, the Cowboy myth has been constantly reinterpreted in art, the media and everyday life. Be it in rodeo events, in western riding, reenactments, dance events, in western movies, at carnival, in music or in fashion – the figure of the cowboy appeals to people all over the world, regardless of historical realities.

There are, however, also those who consider themselves the true descendants of the cowboys: Farmers, cattle ranchers and professional rodeo riders in the USA. In my work on cowboys, I examine the clichés as well as historical and present-day realities of the cowboy figure and interpret them in regard to gender roles and the impact of international perceptions in the media context.

 

Like a Cowboy

 

I often played outdoors with the other kids after school in the estate where I grew up. I liked playing with the boys and was usually the only girl in the group. At some point the boys decided they wanted to play Cowboys and Indians*, and roles were quickly assigned. Everyone was some kind of cowboy, Indians weren’t so popular. I didn’t know much about cowboys and asked one boy what I should be. He didn’t really know. »You’re a girl,« he said. »Girls aren’t cowboys.« He then gave it some real consideration. »I know what,« he announced enthusiastically, »you can be a squaw!« »What’s that?« I asked. »You’re a girl Indian.« The boys were happy to have found a solution and started chasing and shooting each other. I found myself in front of an imaginary tepee where I was supposed to be doing something with leaves or the like. It was really boring.
After a while I went home.


*The term “Indian” has a racist tradition. It is only used in this text as it reflects the historical context.

 

The Silver Horse

© 2022 Ute Behrend 1:52min

 

Monograph

Cowboys

Cowboys

After Barbed Wire

Verlag BUMMBUMM BOOKS

Erschienen: 2025
Sprache: Deutsch, English
Beiträge von: Anja Schürmann, Ute Behrend
Übersetzung: Tom Ashforth
Gestaltung: Florian v. Wissel
Ausstattung: Hardcover, Fadenheftung, UV SPOT Lack, Leseband
Format: 22 x 29,7 cm, Umfang: 192 Seiten
Druckerei: Livonia Print, Riga
Auflage: 500
printed in Latvia
ISBN: 978-3-948059-13-2

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